Marin Alsop
This week, Marin Alsop was conducting at the Tonhalle. It is the restart of the concerts after the seemingly barren April month....
It was so great to listen to something that was not Mozart and definitely more challenging. On the program were Willians, Sibelius(violin concerto with Viktoria Mullavo), and Dvorak's 7th.
Conducting for Williams and Sibelius were very well controlled, well paced. Each bated note entered with close perfection. It was challenging for the violin, viola and cello, with a 3 voice fugue coming into play for the Williams...
Communication with the orchestra, as well as with muullaloolocve was great. My prefered team for the orchestra was playing,... definitely increasing the pleasure.
What was impressive was the dvorak's... Conducting was done without the score, but with such fury and such coaxing and command. Although I think she almost forgot herself and was almost grunting to the piece, it was forgivable.
So more to this lady, she is really shy, the orchestra had to force her to take her applause... I think she only wants to conduct. Currently it sseems she is facing problems with the Balitmore Sym (Balitmore:??) but, so which conductor doesn't ....
The only drawback was, conducting was good, somehow the captivation didnt linger for too much... Which was confirmed by the NZZ commentary on the piece. well conducted, which is a virtue on its own...
It was so great to listen to something that was not Mozart and definitely more challenging. On the program were Willians, Sibelius(violin concerto with Viktoria Mullavo), and Dvorak's 7th.
Conducting for Williams and Sibelius were very well controlled, well paced. Each bated note entered with close perfection. It was challenging for the violin, viola and cello, with a 3 voice fugue coming into play for the Williams...
Communication with the orchestra, as well as with muullaloolocve was great. My prefered team for the orchestra was playing,... definitely increasing the pleasure.
What was impressive was the dvorak's... Conducting was done without the score, but with such fury and such coaxing and command. Although I think she almost forgot herself and was almost grunting to the piece, it was forgivable.
So more to this lady, she is really shy, the orchestra had to force her to take her applause... I think she only wants to conduct. Currently it sseems she is facing problems with the Balitmore Sym (Balitmore:??) but, so which conductor doesn't ....
The only drawback was, conducting was good, somehow the captivation didnt linger for too much... Which was confirmed by the NZZ commentary on the piece. well conducted, which is a virtue on its own...



